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Thursday 3/21
at 8:00 pm

The Cradle Will Rock

Presented by Frank Theatre

Gremlin Theatre

550 Vandalia Street Saint Paul, MN 55114

$25 - $30

Call 612-724-3760
Buy tickets online

90 minutes

Thursday, March 21 8:00 pm
2019-03-21 20:00:002019-03-21 20:00:00America/ChicagoThe Cradle Will RockA play in music written in 1937, THE CRADLE WILL ROCK by Marc Blitzstein is set in Steeltown, USA. Mr. Mister, the corporate magnate, has bought up (or paid off) every sector of the community: the church, the press, the university, the artists. A prostitute arrives in Steeltown, and is immediately picked up for soliciting. Hauled into night court, she is befriended by a derelict pharmacist, who explains that all the others (who have been hauled in mistakenly) are as guilty of selling themselves as she is. Through flashback and song, the piece illustrates how each of the civic leaders sold out to Mr. Mister, with the exception of Larry Foreman, a union organizer who is attempting to get the whole town to organize. One of the first pro-union musicals written in this country, THE CRADLE WILL ROCK, directed by Orson Welles, was premiered by the Federal Theatre Project. This first production was legendary (the context for the original production is explored brilliantly in Tim Robbins film of the same name). Just before opening night, the company received word that budget cuts would prevent the show from opening and the artists were padlocked out of the building. In a historic display of the show must go on, the company and audience marched 20 blocks to a theatre that the company had secured, along with a rented piano, and the show did go on. Directed by Wendy Knox Musical Direction by Sonja Thompson CAST: Sasha Andreev, Maria Asp, Kate Beahen, Bob Beverage, Hector Chavarria, Gillian Constable, John Cutler, JP Fitzgibbons, Thalia Kostman, Molly Sue McDonald, Chelsie Newhard, Cameron Reeves, Scotty Reynolds, Carl Schoenborn, Joe Nathan Thomas, David Wasserman, Allison Witham Twin Cities metroT
Friday, March 22 8:00 pm
2019-03-22 20:00:002019-03-22 20:00:00America/ChicagoThe Cradle Will RockA play in music written in 1937, THE CRADLE WILL ROCK by Marc Blitzstein is set in Steeltown, USA. Mr. Mister, the corporate magnate, has bought up (or paid off) every sector of the community: the church, the press, the university, the artists. A prostitute arrives in Steeltown, and is immediately picked up for soliciting. Hauled into night court, she is befriended by a derelict pharmacist, who explains that all the others (who have been hauled in mistakenly) are as guilty of selling themselves as she is. Through flashback and song, the piece illustrates how each of the civic leaders sold out to Mr. Mister, with the exception of Larry Foreman, a union organizer who is attempting to get the whole town to organize. One of the first pro-union musicals written in this country, THE CRADLE WILL ROCK, directed by Orson Welles, was premiered by the Federal Theatre Project. This first production was legendary (the context for the original production is explored brilliantly in Tim Robbins film of the same name). Just before opening night, the company received word that budget cuts would prevent the show from opening and the artists were padlocked out of the building. In a historic display of the show must go on, the company and audience marched 20 blocks to a theatre that the company had secured, along with a rented piano, and the show did go on. Directed by Wendy Knox Musical Direction by Sonja Thompson CAST: Sasha Andreev, Maria Asp, Kate Beahen, Bob Beverage, Hector Chavarria, Gillian Constable, John Cutler, JP Fitzgibbons, Thalia Kostman, Molly Sue McDonald, Chelsie Newhard, Cameron Reeves, Scotty Reynolds, Carl Schoenborn, Joe Nathan Thomas, David Wasserman, Allison Witham Twin Cities metroT
Saturday, March 23 8:00 pm
2019-03-23 20:00:002019-03-23 20:00:00America/ChicagoThe Cradle Will RockA play in music written in 1937, THE CRADLE WILL ROCK by Marc Blitzstein is set in Steeltown, USA. Mr. Mister, the corporate magnate, has bought up (or paid off) every sector of the community: the church, the press, the university, the artists. A prostitute arrives in Steeltown, and is immediately picked up for soliciting. Hauled into night court, she is befriended by a derelict pharmacist, who explains that all the others (who have been hauled in mistakenly) are as guilty of selling themselves as she is. Through flashback and song, the piece illustrates how each of the civic leaders sold out to Mr. Mister, with the exception of Larry Foreman, a union organizer who is attempting to get the whole town to organize. One of the first pro-union musicals written in this country, THE CRADLE WILL ROCK, directed by Orson Welles, was premiered by the Federal Theatre Project. This first production was legendary (the context for the original production is explored brilliantly in Tim Robbins film of the same name). Just before opening night, the company received word that budget cuts would prevent the show from opening and the artists were padlocked out of the building. In a historic display of the show must go on, the company and audience marched 20 blocks to a theatre that the company had secured, along with a rented piano, and the show did go on. Directed by Wendy Knox Musical Direction by Sonja Thompson CAST: Sasha Andreev, Maria Asp, Kate Beahen, Bob Beverage, Hector Chavarria, Gillian Constable, John Cutler, JP Fitzgibbons, Thalia Kostman, Molly Sue McDonald, Chelsie Newhard, Cameron Reeves, Scotty Reynolds, Carl Schoenborn, Joe Nathan Thomas, David Wasserman, Allison Witham Twin Cities metroT
Sunday, March 24 2:00 pm
2019-03-24 14:00:002019-03-24 14:00:00America/ChicagoThe Cradle Will RockA play in music written in 1937, THE CRADLE WILL ROCK by Marc Blitzstein is set in Steeltown, USA. Mr. Mister, the corporate magnate, has bought up (or paid off) every sector of the community: the church, the press, the university, the artists. A prostitute arrives in Steeltown, and is immediately picked up for soliciting. Hauled into night court, she is befriended by a derelict pharmacist, who explains that all the others (who have been hauled in mistakenly) are as guilty of selling themselves as she is. Through flashback and song, the piece illustrates how each of the civic leaders sold out to Mr. Mister, with the exception of Larry Foreman, a union organizer who is attempting to get the whole town to organize. One of the first pro-union musicals written in this country, THE CRADLE WILL ROCK, directed by Orson Welles, was premiered by the Federal Theatre Project. This first production was legendary (the context for the original production is explored brilliantly in Tim Robbins film of the same name). Just before opening night, the company received word that budget cuts would prevent the show from opening and the artists were padlocked out of the building. In a historic display of the show must go on, the company and audience marched 20 blocks to a theatre that the company had secured, along with a rented piano, and the show did go on. Directed by Wendy Knox Musical Direction by Sonja Thompson CAST: Sasha Andreev, Maria Asp, Kate Beahen, Bob Beverage, Hector Chavarria, Gillian Constable, John Cutler, JP Fitzgibbons, Thalia Kostman, Molly Sue McDonald, Chelsie Newhard, Cameron Reeves, Scotty Reynolds, Carl Schoenborn, Joe Nathan Thomas, David Wasserman, Allison Witham Twin Cities metroT
  • Post-show discussion
Thursday, March 28 8:00 pm
2019-03-28 20:00:002019-03-28 20:00:00America/ChicagoThe Cradle Will RockA play in music written in 1937, THE CRADLE WILL ROCK by Marc Blitzstein is set in Steeltown, USA. Mr. Mister, the corporate magnate, has bought up (or paid off) every sector of the community: the church, the press, the university, the artists. A prostitute arrives in Steeltown, and is immediately picked up for soliciting. Hauled into night court, she is befriended by a derelict pharmacist, who explains that all the others (who have been hauled in mistakenly) are as guilty of selling themselves as she is. Through flashback and song, the piece illustrates how each of the civic leaders sold out to Mr. Mister, with the exception of Larry Foreman, a union organizer who is attempting to get the whole town to organize. One of the first pro-union musicals written in this country, THE CRADLE WILL ROCK, directed by Orson Welles, was premiered by the Federal Theatre Project. This first production was legendary (the context for the original production is explored brilliantly in Tim Robbins film of the same name). Just before opening night, the company received word that budget cuts would prevent the show from opening and the artists were padlocked out of the building. In a historic display of the show must go on, the company and audience marched 20 blocks to a theatre that the company had secured, along with a rented piano, and the show did go on. Directed by Wendy Knox Musical Direction by Sonja Thompson CAST: Sasha Andreev, Maria Asp, Kate Beahen, Bob Beverage, Hector Chavarria, Gillian Constable, John Cutler, JP Fitzgibbons, Thalia Kostman, Molly Sue McDonald, Chelsie Newhard, Cameron Reeves, Scotty Reynolds, Carl Schoenborn, Joe Nathan Thomas, David Wasserman, Allison Witham Twin Cities metroT
Saturday, March 30 8:00 pm
2019-03-30 20:00:002019-03-30 20:00:00America/ChicagoThe Cradle Will RockA play in music written in 1937, THE CRADLE WILL ROCK by Marc Blitzstein is set in Steeltown, USA. Mr. Mister, the corporate magnate, has bought up (or paid off) every sector of the community: the church, the press, the university, the artists. A prostitute arrives in Steeltown, and is immediately picked up for soliciting. Hauled into night court, she is befriended by a derelict pharmacist, who explains that all the others (who have been hauled in mistakenly) are as guilty of selling themselves as she is. Through flashback and song, the piece illustrates how each of the civic leaders sold out to Mr. Mister, with the exception of Larry Foreman, a union organizer who is attempting to get the whole town to organize. One of the first pro-union musicals written in this country, THE CRADLE WILL ROCK, directed by Orson Welles, was premiered by the Federal Theatre Project. This first production was legendary (the context for the original production is explored brilliantly in Tim Robbins film of the same name). Just before opening night, the company received word that budget cuts would prevent the show from opening and the artists were padlocked out of the building. In a historic display of the show must go on, the company and audience marched 20 blocks to a theatre that the company had secured, along with a rented piano, and the show did go on. Directed by Wendy Knox Musical Direction by Sonja Thompson CAST: Sasha Andreev, Maria Asp, Kate Beahen, Bob Beverage, Hector Chavarria, Gillian Constable, John Cutler, JP Fitzgibbons, Thalia Kostman, Molly Sue McDonald, Chelsie Newhard, Cameron Reeves, Scotty Reynolds, Carl Schoenborn, Joe Nathan Thomas, David Wasserman, Allison Witham Twin Cities metroT
Sunday, March 31 2:00 pm
2019-03-31 14:00:002019-03-31 14:00:00America/ChicagoThe Cradle Will RockA play in music written in 1937, THE CRADLE WILL ROCK by Marc Blitzstein is set in Steeltown, USA. Mr. Mister, the corporate magnate, has bought up (or paid off) every sector of the community: the church, the press, the university, the artists. A prostitute arrives in Steeltown, and is immediately picked up for soliciting. Hauled into night court, she is befriended by a derelict pharmacist, who explains that all the others (who have been hauled in mistakenly) are as guilty of selling themselves as she is. Through flashback and song, the piece illustrates how each of the civic leaders sold out to Mr. Mister, with the exception of Larry Foreman, a union organizer who is attempting to get the whole town to organize. One of the first pro-union musicals written in this country, THE CRADLE WILL ROCK, directed by Orson Welles, was premiered by the Federal Theatre Project. This first production was legendary (the context for the original production is explored brilliantly in Tim Robbins film of the same name). Just before opening night, the company received word that budget cuts would prevent the show from opening and the artists were padlocked out of the building. In a historic display of the show must go on, the company and audience marched 20 blocks to a theatre that the company had secured, along with a rented piano, and the show did go on. Directed by Wendy Knox Musical Direction by Sonja Thompson CAST: Sasha Andreev, Maria Asp, Kate Beahen, Bob Beverage, Hector Chavarria, Gillian Constable, John Cutler, JP Fitzgibbons, Thalia Kostman, Molly Sue McDonald, Chelsie Newhard, Cameron Reeves, Scotty Reynolds, Carl Schoenborn, Joe Nathan Thomas, David Wasserman, Allison Witham Twin Cities metroT
  • Post-show discussion
Thursday, April 4 8:00 pm
2019-04-04 20:00:002019-04-04 20:00:00America/ChicagoThe Cradle Will RockA play in music written in 1937, THE CRADLE WILL ROCK by Marc Blitzstein is set in Steeltown, USA. Mr. Mister, the corporate magnate, has bought up (or paid off) every sector of the community: the church, the press, the university, the artists. A prostitute arrives in Steeltown, and is immediately picked up for soliciting. Hauled into night court, she is befriended by a derelict pharmacist, who explains that all the others (who have been hauled in mistakenly) are as guilty of selling themselves as she is. Through flashback and song, the piece illustrates how each of the civic leaders sold out to Mr. Mister, with the exception of Larry Foreman, a union organizer who is attempting to get the whole town to organize. One of the first pro-union musicals written in this country, THE CRADLE WILL ROCK, directed by Orson Welles, was premiered by the Federal Theatre Project. This first production was legendary (the context for the original production is explored brilliantly in Tim Robbins film of the same name). Just before opening night, the company received word that budget cuts would prevent the show from opening and the artists were padlocked out of the building. In a historic display of the show must go on, the company and audience marched 20 blocks to a theatre that the company had secured, along with a rented piano, and the show did go on. Directed by Wendy Knox Musical Direction by Sonja Thompson CAST: Sasha Andreev, Maria Asp, Kate Beahen, Bob Beverage, Hector Chavarria, Gillian Constable, John Cutler, JP Fitzgibbons, Thalia Kostman, Molly Sue McDonald, Chelsie Newhard, Cameron Reeves, Scotty Reynolds, Carl Schoenborn, Joe Nathan Thomas, David Wasserman, Allison Witham Twin Cities metroT
Friday, April 5 8:00 pm
2019-04-05 20:00:002019-04-05 20:00:00America/ChicagoThe Cradle Will RockA play in music written in 1937, THE CRADLE WILL ROCK by Marc Blitzstein is set in Steeltown, USA. Mr. Mister, the corporate magnate, has bought up (or paid off) every sector of the community: the church, the press, the university, the artists. A prostitute arrives in Steeltown, and is immediately picked up for soliciting. Hauled into night court, she is befriended by a derelict pharmacist, who explains that all the others (who have been hauled in mistakenly) are as guilty of selling themselves as she is. Through flashback and song, the piece illustrates how each of the civic leaders sold out to Mr. Mister, with the exception of Larry Foreman, a union organizer who is attempting to get the whole town to organize. One of the first pro-union musicals written in this country, THE CRADLE WILL ROCK, directed by Orson Welles, was premiered by the Federal Theatre Project. This first production was legendary (the context for the original production is explored brilliantly in Tim Robbins film of the same name). Just before opening night, the company received word that budget cuts would prevent the show from opening and the artists were padlocked out of the building. In a historic display of the show must go on, the company and audience marched 20 blocks to a theatre that the company had secured, along with a rented piano, and the show did go on. Directed by Wendy Knox Musical Direction by Sonja Thompson CAST: Sasha Andreev, Maria Asp, Kate Beahen, Bob Beverage, Hector Chavarria, Gillian Constable, John Cutler, JP Fitzgibbons, Thalia Kostman, Molly Sue McDonald, Chelsie Newhard, Cameron Reeves, Scotty Reynolds, Carl Schoenborn, Joe Nathan Thomas, David Wasserman, Allison Witham Twin Cities metroT
Saturday, April 6 8:00 pm
2019-04-06 20:00:002019-04-06 20:00:00America/ChicagoThe Cradle Will RockA play in music written in 1937, THE CRADLE WILL ROCK by Marc Blitzstein is set in Steeltown, USA. Mr. Mister, the corporate magnate, has bought up (or paid off) every sector of the community: the church, the press, the university, the artists. A prostitute arrives in Steeltown, and is immediately picked up for soliciting. Hauled into night court, she is befriended by a derelict pharmacist, who explains that all the others (who have been hauled in mistakenly) are as guilty of selling themselves as she is. Through flashback and song, the piece illustrates how each of the civic leaders sold out to Mr. Mister, with the exception of Larry Foreman, a union organizer who is attempting to get the whole town to organize. One of the first pro-union musicals written in this country, THE CRADLE WILL ROCK, directed by Orson Welles, was premiered by the Federal Theatre Project. This first production was legendary (the context for the original production is explored brilliantly in Tim Robbins film of the same name). Just before opening night, the company received word that budget cuts would prevent the show from opening and the artists were padlocked out of the building. In a historic display of the show must go on, the company and audience marched 20 blocks to a theatre that the company had secured, along with a rented piano, and the show did go on. Directed by Wendy Knox Musical Direction by Sonja Thompson CAST: Sasha Andreev, Maria Asp, Kate Beahen, Bob Beverage, Hector Chavarria, Gillian Constable, John Cutler, JP Fitzgibbons, Thalia Kostman, Molly Sue McDonald, Chelsie Newhard, Cameron Reeves, Scotty Reynolds, Carl Schoenborn, Joe Nathan Thomas, David Wasserman, Allison Witham Twin Cities metroT
Sunday, April 7 2:00 pm
2019-04-07 14:00:002019-04-07 14:00:00America/ChicagoThe Cradle Will RockA play in music written in 1937, THE CRADLE WILL ROCK by Marc Blitzstein is set in Steeltown, USA. Mr. Mister, the corporate magnate, has bought up (or paid off) every sector of the community: the church, the press, the university, the artists. A prostitute arrives in Steeltown, and is immediately picked up for soliciting. Hauled into night court, she is befriended by a derelict pharmacist, who explains that all the others (who have been hauled in mistakenly) are as guilty of selling themselves as she is. Through flashback and song, the piece illustrates how each of the civic leaders sold out to Mr. Mister, with the exception of Larry Foreman, a union organizer who is attempting to get the whole town to organize. One of the first pro-union musicals written in this country, THE CRADLE WILL ROCK, directed by Orson Welles, was premiered by the Federal Theatre Project. This first production was legendary (the context for the original production is explored brilliantly in Tim Robbins film of the same name). Just before opening night, the company received word that budget cuts would prevent the show from opening and the artists were padlocked out of the building. In a historic display of the show must go on, the company and audience marched 20 blocks to a theatre that the company had secured, along with a rented piano, and the show did go on. Directed by Wendy Knox Musical Direction by Sonja Thompson CAST: Sasha Andreev, Maria Asp, Kate Beahen, Bob Beverage, Hector Chavarria, Gillian Constable, John Cutler, JP Fitzgibbons, Thalia Kostman, Molly Sue McDonald, Chelsie Newhard, Cameron Reeves, Scotty Reynolds, Carl Schoenborn, Joe Nathan Thomas, David Wasserman, Allison Witham Twin Cities metroT
  • Post-show discussion

Past performances

Friday, March 15 8:00 pm
Saturday, March 16 8:00 pm
  • Pay what you can night
Sunday, March 17 2:00 pm
  • Post-show discussion
 
Comedy Musical

A play in music written in 1937, THE CRADLE WILL ROCK by Marc Blitzstein is set in Steeltown, USA. Mr. Mister, the corporate magnate, has bought up (or paid off) every sector of the community: the church, the press, the university, the artists. A prostitute arrives in Steeltown, and is immediately picked up for soliciting. Hauled into night court, she is befriended by a derelict pharmacist, who explains that all the others (who have been hauled in mistakenly) are as guilty of selling themselves as she is. Through flashback and song, the piece illustrates how each of the civic leaders sold out to Mr. Mister, with the exception of Larry Foreman, a union organizer who is attempting to get the whole town to organize.

One of the first pro-union musicals written in this country, THE CRADLE WILL ROCK, directed by Orson Welles, was premiered by the Federal Theatre Project. This first production was legendary (the context for the original production is explored brilliantly in Tim Robbins film of the same name). Just before opening night, the company received word that budget cuts would prevent the show from opening and the artists were padlocked out of the building. In a historic display of the show must go on, the company and audience marched 20 blocks to a theatre that the company had secured, along with a rented piano, and the show did go on.

Directed by Wendy Knox
Musical Direction by Sonja Thompson

CAST: Sasha Andreev, Maria Asp, Kate Beahen, Bob Beverage, Hector Chavarria, Gillian Constable, John Cutler, JP Fitzgibbons, Thalia Kostman, Molly Sue McDonald, Chelsie Newhard, Cameron Reeves, Scotty Reynolds, Carl Schoenborn, Joe Nathan Thomas, David Wasserman, Allison Witham